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Literature Text
eight.
i felt most violated
when you denied it—
evidence may have mounted
in the mouths of other victims
but i haven't spoken—
even in the wake of certainty,
family and loyalty
forked my liar's tongue—
maybe it's enough
that you know what you did—
because i can't bring myself
to hate you.
seven.
your son's beautiful—
you were my first
and i don't regret that—
in your arms,
i realized myself.
six.
it wasn't my fault—
i received the letter
years too late
and suicide
has never been sympathetic
in the eyes of those
who suffered to live—
yet, i write for you,
remember your face acutely,
long for the night
we bathed together
and you told me
God hated us.
five.
i wrote a poem for you—
it was long and vitriolic,
full of anger's energy but—
halfway through,
i realized you aren't worth it—
have a nice life,
long and unfulfilling.
four.
you hid food under the bed,
said we were bad children,
did everything in your power
to make us feel unwelcome—
however, you're a good mother
and a better provider—
my brother loves you,
and for that, i'll lay my loathing
if you lay it second.
three.
i liked your apartment—
the exposed brick and
stainless steel kitchen sink,
the bathroom mat we fucked on
and shower i knew intimately—
i miss your cock,
your spacious bedroom,
and not much else.
two.
how many drinks did you have?
were you drunk
or just tipsy, clumsy at the wheel?
what [or who]
was your last thought about?
did you feel it
or was it instant, like the pathologist
promised your family?
if i said i didn't go to your funeral,
would you laugh and say—
sounds right—
like i imagined?
one.
the first time,
i lied—
i wanted your stability:
your home
your money
your sex—
but you never set a price
and that's why i fell,
even if i tell you
it's because
i adored your smile.
i felt most violated
when you denied it—
evidence may have mounted
in the mouths of other victims
but i haven't spoken—
even in the wake of certainty,
family and loyalty
forked my liar's tongue—
maybe it's enough
that you know what you did—
because i can't bring myself
to hate you.
seven.
your son's beautiful—
you were my first
and i don't regret that—
in your arms,
i realized myself.
six.
it wasn't my fault—
i received the letter
years too late
and suicide
has never been sympathetic
in the eyes of those
who suffered to live—
yet, i write for you,
remember your face acutely,
long for the night
we bathed together
and you told me
God hated us.
five.
i wrote a poem for you—
it was long and vitriolic,
full of anger's energy but—
halfway through,
i realized you aren't worth it—
have a nice life,
long and unfulfilling.
four.
you hid food under the bed,
said we were bad children,
did everything in your power
to make us feel unwelcome—
however, you're a good mother
and a better provider—
my brother loves you,
and for that, i'll lay my loathing
if you lay it second.
three.
i liked your apartment—
the exposed brick and
stainless steel kitchen sink,
the bathroom mat we fucked on
and shower i knew intimately—
i miss your cock,
your spacious bedroom,
and not much else.
two.
how many drinks did you have?
were you drunk
or just tipsy, clumsy at the wheel?
what [or who]
was your last thought about?
did you feel it
or was it instant, like the pathologist
promised your family?
if i said i didn't go to your funeral,
would you laugh and say—
sounds right—
like i imagined?
one.
the first time,
i lied—
i wanted your stability:
your home
your money
your sex—
but you never set a price
and that's why i fell,
even if i tell you
it's because
i adored your smile.
Literature
Seashine
Sacred skin
where heavens and ocean
collide,
an imprint on salted lungs
an echo
of aching, of
a moonlit yearning upon the
rolling tide.
Literature
She is
She is
the idea of smoking,
hot tea in the afternoon,
a pool in the shade,
poignant poetry,
the person in personality,
chalk on a sidewalk,
blue skies and a rainbow,
shorn hair and an answered prayer;
music in the mountains.
Literature
napowrimo
1. i've stopped fearing
my nightmares
and when i dream about
dying
i just see your face
and get your songs in my
head and stuck in my
throat
and i understand you now
i get it.
i get it
i get it.
now stop.
2. this is the darkest timeline.
this is everything that can go wrong
going wrong.
this is worse than you dying
this is worse than the burning
this is worse than you overstaying your welcome.
i cant even talk to him anymore
cause it just sounds like
he's sticking his fingers in his ears
and screaming how he's
notlisteningnotlisteningnotlistening.
which i should have done a long time ago.
3. i try to comprehend it sometimes
cause i kn
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god that's so fucking long. This is going to be in a folder for a week or so before I get around to reading it.
COME ON, glossolalias. Attention spans are like gnats now. Keep it short and use the word FUCK a lot and maybe throw in some scat for good measure.
COME ON, glossolalias. Attention spans are like gnats now. Keep it short and use the word FUCK a lot and maybe throw in some scat for good measure.